Ikko OH1 vs Kinera IDUN

The OH1 has more sub-bass quantity and it has greater extension. The sub-bass reproduction on the OH1 is fuller with a more impactful showing. The mid-bass on the OH1 has additional body and the slam is expressed in an authoritative manner. The bass texture on the OH1 is rendered more smoothly while the IDUN is quicker in its bass decay. Each bass note on the OH1 is articulated with a robust hit. The midrange on the OH1 is expressed in a smoother manner while IDUN has higher transparency level. The lower midrange on the OH1 has more quantity than the IDUN and male vocals are expressed in a fuller approach. The upper midrange on the OH1 has slightly more forwardness and the boost contributes to a more intimate female vocals performance. Next, for the treble section, the IDUN has better extension but the treble expression on the OH1 is smoother. The amount of air rendered by the IDUN is greater. The IDUN has extra boost which leads to a higher engagement level whereas the OH1 has a controlled presentation with less aggression. The crisp on the IDUN is more defined and there is additional sparkle. For the soundstage, both expand naturally while the IDUN has greater width magnitude. The depth on the OH1 is slightly more closed in.

Ikko OH1 vs BGVP DMG

The DMG has more sub-bass quantity with slightly greater extension. The OH1 showcases a controlled sub-bass reproduction. The mid-bass of the OH1 is less heavy than the DMG and the slam is expressed in a quicker manner. The DMG has a more weighted expression which leads to a dense feeling at times. The bass decay on the DMG is slightly quicker and the bass texture rendered on the OH1 is smoother. Each bass note on the DMG is articulated with more aggression. The bass performance is more soothing on the OH1. The midrange on the OH1 is more bodied with lushness. The full-bodied midrange on the OH1 benefits vocals reproduction. The DMG is recessed in comparison to the OH1. The lower midrange on the OH1 is richer and male vocals are presented with more presence. The upper midrange on the OH1 is more forward and commands finesse. There is a higher intimacy level. Next, for the treble section, the DMG has slightly more extension while the OH1 has extra body. The amount of air rendered on the DMG is greater. The OH1 displays its treble in a smoother manner. Lastly, the OH1 expands more naturally in its stage and the width on the DMG is greater. The OH1 has a more closed in depth.

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Page 5: Conclusion