Comparisons

Alpha & Delta KS3 vs Alpha & Delta D6

The D6 has more sub-bass quantity and it boasts greater extension. The sub-bass reproduction on the D6 is stronger with greater rumble. The mid-bass on the KS3 has additional body and the slam is expressed with a fuller feeling as compared to D6. The bass texture on the KS3 is rendered more smoothly and the bass decay is quicker on the D6. Each bass note is articulated with a controlled hit on the KS3 and there is less aggression. The midrange on the KS3 has a higher level of musicality and there is a lusher vocals performance. The lower midrange on the KS3 has more quantity than the D6 which contributes to a smoother male vocals expression. The upper midrange on the D6 has extra forwardness but lacks the finesse on the KS3. Vocals on the KS3 take on a more laid-back manner and emotions are conveyed effectively. Next, for the treble section, the KS3 has similar extension and treble presentation is smoother. It ensures a fatigue-free listen. The amount of air rendered by the D6 is slightly greater. The D6 has more sparkle but the expression on the KS3 provides a relaxing feeling. Lastly, for the soundstage, the KS3 expands more naturally with greater width magnitude. The depth on the KS3 is better.

Alpha & Delta KS3 vs TFZ King Pro

The King Pro has more sub-bass quantity than the KS3 and there is greater extension on the King Pro. The sub-bass reproduction on the King Pro takes on fuller manner than the KS3. There is a higher engagement level on the KS3 with greater dynamics. The bass decay is quicker on the KS3 and it creates a captivating listen. The bass texture rendered on the King Pro is slightly smoother. The mid-bass of the King Pro is heavier than the KS3 which provides a weighted feeling but KS3 has the edge in the agility. The midrange on the King Pro is warmer and there is a thicker expression. Vocals on the KS3 are expressed in a more vivid manner. The lower midrange on the King Pro has a fuller presentation which benefits male vocals. The upper midrange on the KS3 has additional forwardness and the boosted female vocals are more engaging to listen. In the treble section, the KS3 has better extension while King Pro has more body. The amount of air rendered on the KS3 is greater which provides an airy feeling at the top end. Treble presentation on the KS3 is vibrant and there is more appeal. In terms of soundstage, the King Pro expands in a more natural manner with greater width magnitude. The depth on the KS3 is less closed in.

Alpha & Delta KS3 vs Brainwavz B400

The KS3 has more sub-bass quantity than the B400 but it boasts greater extension. The sub-bass reproduction on the KS3 has a higher engagement level and the rumble is impactful. The mid-bass on the B400 has additional body which delivers the slam in a fuller feeling but it is less agile than the KS3. The bass texture on the KS3 is rendered more smoothly than the B400. The bass decay on the KS3 is quicker and the agility creates a livelier performance. Each bass note on the KS3 is articulated with a defined hit. The midrange on the KS3 has a higher transparency level than the B400 and vocals are of higher definition. The lower midrange on the B400 has more body than the KS3 and male vocals are expressed in a thicker expression. The upper midrange on the KS3 has greater emphasis and the additional forwardness produces a stronger female vocals presentation with a good balance of liveliness and intimacy. Next, in the treble section, the treble on the KS3 is more energetic than the B400 and the extension on the KS3 is slightly greater. There is no sibilance and harshness. The KS3 is able to render extra air. Lastly, the KS3 has a natural expansion for its soundstage and it excels in the width magnitude. The depth of the B400 is more closed in.

photo_2019-04-09_12-47-53

Page 5: Conclusion