Comparisons

Fearless Y2K-G10 vs Noble Kaiser Encore

The Y2K-G10 has more sub-bass quantity than the Kaiser Encore with the extension on the Kaiser Encore slightly better. The rumble on the Y2K-G10 is weighted and provides a more natural rumble. The bass decay on the Kaiser Encore is quicker. The bass texture on the Y2K-G10 is rendered in a smoother manner. The mid-bass on the Y2K-G10 has slightly more body than the Kaiser Encore. The slam on the Kaiser Encore is executed with more strength than the Y2K-G10 which can be aggressive at times. Each bass note on the Y2K-G10 is articulated in a smoother manner than the Kaiser Encore. The Y2K-G10 provides a more enjoyable and fuller bass performance. The midrange on the Y2K-G10 is musical while the Kaiser Encore takes on a leaner presentation with higher transparency level . There is additional lushness on the Y2K-G10. Vocals on the Y2K-G10 are smoother without harshness and emotions are conveyed well. The lower midrange on the Y2K-G10 has more body and male vocals are presented well but with slightly reduced presence. The upper midrange on the Kaiser Encore has greater emphasis and female vocals are livelier but not as controlled as the Y2K-G10. For the treble section, the Kaiser Encore has the better extension and the presentation is on the thinner side of things.  The Kaiser Encore provides an airier feeling. The Y2K-G10 takes on a smooth and relaxing approach which contributes to a fatigue-free listen. Lastly, for the soundstage, the expansion on the Y2K-G10 is more natural while the Kaiser Encore has greater width magnitude. The depth on the Kaiser Encore is more closed in.

Fearless Y2K-G10 vs Campfire Andromeda

The Y2K-G10 has more sub-bass quantity than the Andromeda. The Andromeda commands better extension with greater depth reached. The Y2K-G10 has a fuller sub-bass reproduction with a natural rumble. The bass decay on the Andromeda is quicker with more agility. The bass texture on the Y2K-G10 is rendered in a smoother manner. The mid-bass on the Andromeda has slightly less quantity and the slam is delivered in a more agile manner on the Andromeda. The Andromeda showcases a punchy presentation while the Y2K-G10 has a full-bodied expression. Each bass note on the Andromeda is articulated in an incisive manner while the Y2K-G10 takes on a smoother manner. The midrange on the Y2K-G10 has more body than the Andromeda and there is a lusher listen. The Andromeda has higher transparency level with a livelier expression. The lower midrange on the Y2K-G10 has more body than the Andromeda and male vocals are expressed in a thicker manner with similar presence. Emotions are conveyed more effectively on the Y2K-G10. The upper midrange on the Andromeda has additional forwardness which creates a more energetic female vocals display. Vocals are rendered in a relaxing manner on the Y2K-G10. In the treble section, there is better extension on the Andromeda. The crisp on the Andromeda is more defined. There is greater amount of air rendered on the Andromeda. The Y2K-G10 has more body with a smoother presentation that provides a fatigue-free listen. Lastly, in terms of soundstage, there is natural expansion on both with the Andromeda having greater width magnitude and more closed in depth.

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Page 5: Conclusion